Volume 32 no 3 Jan/Feb 2018
Daniel Nanavati on how to use humour to close down the politically correct debate
Dhyano Angius, performance artist and philosopher, has the SPEAKEASY.
Chris Cutrone, School of the Art Institute, on why the Millennial Left is dead.
Derek Guthrie on why he left Chicago (interview with Paul Germanos)
Miklos Legrady on the celebriy chase Jerry Salz.
Tim Shaw, sculptor and writer, on his life in Cornwall (interview with Derek Guthrie)
Darren Jones, our New York reviewer takes time out to extol the scene in Dallas.
John Link, contributing editor, on the Expanded Print show at Western Michigan University.
Liviana Martin on the altar piece, The Adoration of the Shepherds by Pietro Vannucci
Pendery Weekes looks at the recycling of bicycles in China – from the air.
Stephen Lee on Martin Puryear at the Parasol Unit
Scott Turri on the Mattress Factory’s 40th
Steve Luekcking on Anne Lindberg at Carrie Secrets Gallery
Mary Warren on Rebecca Warren at Tate St Ives inaugural show for the new gallery extension
and much more.
21 thoughts on “Volume 32 no 3 Jan/Feb 2018”
From Russia with Love –
Is the Russian art world being excluded from coverage by your magazine, just as the Olympics is excluding our athletes? Has Russian art been doped?
I’d appreciate your opinion on this.
Can you tell me about what’s goinng on in your part of the world? What are some of the trends? Who are the Russian artists that you work with or write about? I’d be curious to know more about the Russian art scene.
Neil Macfarquhar’s article in the NYT, “Scouring 11 Time Zones for a Contemporary Russian Art Show” will give you somewhat of an overview:
Russia is so vast that sometimes we don’t even understand it ourselves. I hope this helps.
Hi, I’m trying to subscribe to New Art Examiner from Singapore and there seems to be some kind of incompatibility with the system; perhaps the problem is ours. Is there another payment route?
Hi Yi Jia,
Did you get an answer about subscribing online? I’m also trying to subscribe from Tapei and having difficulties with the system. Thanks!
send a paypal payment to email@example.com and we will be able to handle your subscription through our Taipei editor.
We’re from Brisbane and trying to subscribe too, but just not possible from down here. Is there anyone out there?
If the subscription tab on the website is not working, a paypal payment to firstname.lastname@example.org will get to us.
It is good to see support for the New Art Examiner coming out of Chicago again, the place of its birth. I hope this is a sign that at last the tide is turning and open and free discussion will grow in strength and purpose with the NAE at its helm and Derek Guthrie at the helm of the NAE.
It really looks like New Art Examiner has had a total comeback; I knew NAE back in the 80s when my company went around the world to many of the art fairs, and then for a few years I had difficulty finding it. Now it’s just about everywhere I look online. It’s really being talked about in art circles internationally. Well done NAE!
I wondered if you could help me please. We have been trying to take out an advertisement with the New Art Examiner for the March/April 2018 issue, but can’t seem to get an answer from anyone. Are we still in time to do so? If not, when is the next cut-off date for advertisements?
Thank you and regards,
Japan Fine Art Osaka
email email@example.com for all your needs.
With people reading less and less today, we’re wondering how you have such high readership numbers for an art magazine.
So are we amazed. We were aware of the pressure to dumb down. We can only hope that art can regain its status as an activity, as a pursuit, for informed and enlightened creativity?
In your opinion what is enlightened creativity? How would you define creativity? Can there be un-enlightened creativity?
Perhaps this isn’t the place to write, but I’m trying to take out an ad, and no one answers me in Contact Us. Could you help me please with this? Below you will find my email address.
There seems to be no space to write about the Codswallop; it’s possible that I and others would like to comment.
Has anyone else seen this work? It’s from Donna Festa’s link here, but I found quite profound, this amazing woman dancing with a handkerchief.
I just wanted to tell you how much I appreciate your magazine; I find it so refreshing!
Is the Writer’s Meeting on March 17 in Penzance that I read about in Twitter open to all writers? I’d be coming down from Exeter to attend.
We will be delighted to see you. Please bring a short review with you of 250 words.