New Art Examiner https://validator.w3.org/feed/docs/rss2.html Volume 40 no 5 May – June 2026 Editorial What Makes Good Art Criticism? Modern and Contemporary Syrian Art: An Overview Joseph McBride’s New Book Gives the Underrated Auteur George Cukor His Due The Silence of Things: Metaphysics Between Modernity and Disquiet PANIC IN THE STREETS Saturday Postcard: Rules of Life Striking Penzance Speakeasy Volume 36 no 3: Falling Pieces: Academy vs University Volume 40 no 4 March – April 2026 Editorial Jonas Mekas: Art is like trees Cesar Romero: The Joker is Wild, by Samuel Garza Bernstein (University of Kentucky Press, 269 pages) Frescoes at St Jude’s on the Hill, London.Interview with Phillip Davies Minuet for TikTok Face: Facial contortionism from the 18th century to today. Without Fear or Favor Did Marcel Duchamp <br>Pave the Way For Donald Trump? Anselm Kiefer. The Alchemists Cultural Appreciation, The Justice Warrior, and The AGO Art Should Not Be a Religion John Cage IT’S ALIVE! ROCKY HORROR TURNS 50 The Holy Prison Volume 40 no 3 January – February 2026 Speakeasy NOTE ON MARC CHAGALL Before the Cuts: When the Artist Plunged His Hands into the Earth The Plot Against America Two Disparate Parts Observations in Paris Manifesto for a Disinterested Artistic Self A Startling Chaos Issue 40 no 2 November – December 2025 A.I Threatens Artists Editorial Speakeasy: UNESCO (edited) The Crisis of Art History Criss Cross The Shape of Tone Editorial January 2026 The Painted Gold Talking Posh Floating in the Seaside Shop Editorial March April 2024 Homovictimus The Gods Who Failed Volume 38 no 4 March / April 2024 SPEAKEASY A Woke Autopsy of <br>Canadian Art Magazine Blog