New Art Examiner https://validator.w3.org/feed/docs/rss2.html Speakeasy Volume 36 no 3: Falling Pieces: Academy vs University Volume 40 no 4 March – April 2026 Editorial Jonas Mekas: Art is like trees Cesar Romero: The Joker is Wild, by Samuel Garza Bernstein (University of Kentucky Press, 269 pages) Frescoes at St Jude’s on the Hill, London.Interview with Phillip Davies Minuet for TikTok Face: Facial contortionism from the 18th century to today. Art Should Not Be a Religion Anselm Kiefer. The Alchemists Did Marcel Duchamp <br>Pave the Way For Donald Trump? Cultural Appreciation, The Justice Warrior, and The AGO The Holy Prison Without Fear or Favor Volume 40 no 3 January – February 2026 Editorial January 2026 Speakeasy NOTE ON MARC CHAGALL Before the Cuts: When the Artist Plunged His Hands into the Earth The Plot Against America John Cage IT’S ALIVE! ROCKY HORROR TURNS 50 Two Disparate Parts Observations in Paris Manifesto for a Disinterested Artistic Self A Startling Chaos Issue 40 no 2 November – December 2025 A.I Threatens Artists Editorial Speakeasy: UNESCO (edited) The Crisis of Art History Criss Cross The Shape of Tone The Painted Gold Editorial March April 2024 Talking Posh Floating in the Seaside Shop Homovictimus Volume 40 no 1 September – October 2025 Editorial The Christ of Lecco: When Hidden Truth Speaks and Awakens History from Its Slumber A Woke Autopsy of <br>Canadian Art Magazine If you’re a recent MFA or PhD you’re not an artist nor a curator. The Gods Who Failed Volume 38 no 4 March / April 2024 SPEAKEASY Ydessa Hendeles’s: Grand Hotel Public and Private Purpose Censoring “Sick and Dirty” Queerness in Hollywood’s Golden Age Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film Two Recent Art Controversies Blog